This is a Cohen brothers film, so every review you read of it will be like a praise bukkakke because there's some law that dictates it.
Pretty sure those fuckers will get oscar nominations for the Skype calls they make soon enough.
As it is though, like most of their other films, for normal people watching this, well, where's the magic?
It was a great big pile of 'OK'.
The final story, with Tyne Daly and Brendan Gleason in a carriage on its way to a strange location is the best of the lot, but you have to sit through two hours of dull bollocks to get there.
Cohen brothers? They can dick off.
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